Posts Tagged ‘Review’

White Lies – To Lose My Life

Saturday, May 16th, 2009
Released: January 19th 2009

Released: January 19th 2009

The new British “it” band White Lies has been compared to many others, Joy Division chief amongst them. Interpol and Editors also come to mind, themselves hailed as Joy Division knock-offs, but each earning a place in the hearts of music lovers everywhere. At first listen, White Lies does not seem to be any different than the procession of those other depressing, monotone songsters, but if you give them a chance, they worm their way in with a few well-placed songs and some great lyrics.

“Death” starts the record off on the right foot, both thematically and musically. Harry McVeigh sings quite cheerfully, if flatly, about the fear of dying while the music pounds in time to a heartbeat. The chorus of catchy breakout single, “To Lose My Life”“Let’s grow old together / and die at the same time” — sounds quite romantic in its own morbid way as long as you don’t use it in the pursuit of love, which is bound to fail miserably. “Farewell to the Fairground” has the makings of a hit with yet another catchy chorus and some downer lyrics. “E.S.T.” roars large and anthemic, the guitar weaving a cool melody in the quieter parts, while “From the Stars” recounts the story of a funeral in minute detail of pitch-perfect storytelling.

Previously published on The Owl Mag.

Update: Franz Ferdinand and Born Ruffians

Monday, May 11th, 2009

Last Thursday I went to see one of my favorite live bands, Franz Ferdinand, at Roseland Ballroom (perhaps not my most favored venue). It was much more expansive than their previous two small gigs in NYC and it was a pleasure taking photos, first from the photo pit and then from behind the barricade, alternating pogoing with photoing.

Franz Ferdinand at Roseland Ballroom; May 7th 2009

Franz Ferdinand at Roseland Ballroom; May 7th 2009

Franz Ferdinand at Roseland Ballroom; May 7th 2009

Franz Ferdinand at Roseland Ballroom; May 7th 2009

Born Ruffians opened, but did not impress.

Born Ruffians at Roseland Ballroom; May 7th 2009

Born Ruffians at Roseland Ballroom; May 7th 2009

Several more photos of both bands are found at Gigwise and an actual review of the show can be read at Out‘s Popnography.

Up next: Shooting Little Boots next week. Perhaps posting several reviews in the meantime…

Update: Patrick Wolf

Sunday, May 10th, 2009

Braving the pouring rain (and it’s been pouring in New York for the past week), I made my way to (Le) Poisson Rouge to catch a special acoustic, solo gig by Patrick Wolf who always puts on a great show. And this one had the benefit of being laid-back and intimate.

Patrick Wolf at (Le) Poisson Rouge; May 6th 2009

Patrick Wolf at (Le) Poisson Rouge; May 6th 2009

For the full photo set, visit Prefix Mag. And you can read a review of the show at Out‘s Popnography.

Ladytron – Tomorrow EP

Wednesday, May 6th, 2009
Released: March 3rd 2009

Released: March 3rd 2009

Only Ladytron could get away with an EP stuffed full of remixes of the same tune. Especially when the song in question from their latest album, Velocifero, doesn’t strike us as the ultimate dance track. The first to catch our attention is the “Dirty Vegas Club Remix,” which clocks in at 9:15 min and has the honor of being the longest and most boring of the six remixes on the Tomorrow EP. “Port Royal Remix” is far more palatable though still far from making a runaway dance floor hit.

“Vector Lovers Lucky Remix” is furthest from improving upon the original, sounding nothing like it and dragging on in a plodding fashion for over six minutes. Thankfully the “Great Northern Remix” saves the day by infusing some life into the EP and even manages to give an interesting twist to the melancholy sound of “Tomorrow.” Perhaps because Great Northern is a band in its own right instead of a DJ, the male vocals and added harmonies layered on top of Helen‘s unvarying intonation add actual richness to the track.

Previously published on The Owl Mag.

Heartsrevolution – Switchblade EP

Thursday, April 23rd, 2009

Released: October 18th 2008

Released: October 18th 2008

Lo and Ben are the heart of Heartsrevolution, which they’ve branded as an “Anime trash pop” band or, something a bit more palatable, “electro-punk.” In the vein of Crystal Castles, it’s less about melody and more about noise; far from garage rock, it’s all about the beats and switches of a complicated keyboard with prerecorded samples.

Starting with “Switchblade,” it all sounds well and good until Lo’s singing cuts into the layered techno. Sometimes the vocals are a muddled noise in the background, sometimes it’s high-pitched, childish screaming. The former is very much preferred. There’s some glam in the track “Dance Until Dawn,” probably the most straightforward dance song on the EP, but it doesn’t save the overall impression of this aural mess.

The NME may have decided to brand Heartsrevolution as one of its “top 50 bands, artists and innovators driving music forward,” but, in this case, it’d be more accurate to amend that last to “most headache inducing.”

Previously published on The Owl Mag.