Posts Tagged ‘iamx’

Update: IAMX, Hypernova and Cruel Black Dove

Sunday, June 7th, 2009

Thursday I saw IAMX play with Cruel Black Dove and Hypernova at Bowery Ballroom. Before doors, the line to get in was down the block, a rare occurrence for the small venue. I never pegged IAMX as that popular, but shows what I know. The crowd was very enthusiastic and Chris Corner was obviously happy to be there.

To bad the lights were terrible and Chris does not like photo ops…

IAMX at Bowery Ballroom; June 4th 2009

IAMX at Bowery Ballroom; June 4th 2009

Hypernova at Bowery Ballroom; June 4th 2009

Hypernova at Bowery Ballroom; June 4th 2009

Cruel Black Dove at Bowery Ballroom; June 4th 2009

Cruel Black Dove at Bowery Ballroom; June 4th 2009

For a full(er) photo set from the show visit Prefix Mag.

Up next: A review + photo set from tonight’s Jones Beach NIN/JA show. Exciting!

IAMX – Kingdom of Welcome Addiction

Saturday, May 23rd, 2009
Released: May 19th 2009

Released: May 19th 2009

Glam band IAMX is not as well-known or well-regarded by music snobs as Chris Corner‘s other project, the Sneaker Pimps, but with the release of a frankly fantastic third album, Kingdom of Welcome Addiction, on the heels of a fantastic second, doubters need not apply.

Immediately hitting it off on a large scale, “Nature of Inviting” sounds as a late-night dance track should, a pervasive beat running through a highly charged song, with Chris belting it out for all he’s worth. “The Stupid, The Proud” and “I Am Terrified” slow down the pace; though far from ballads (that honor belongs to “Running”), they lend a melancholy gravity to the album, which exposes Chris‘s “bleeding heart” side admirably.

“My Secret Friend” is a stand-out track, featuring Imogen Heap in a pitch-perfect duet, Imogen‘s smoky vocals complimenting Chris‘s tenor until they blend into one. And the title track is a marvel of melody and oompa-oompa percussion, whirling so dizzily that it borders on the hypnotic. “The Great Shipwreck of Life” has a fairground feel to it with its tambourine and bells, a more upbeat score to a song that suggests that “we all fall down.”

Previously published on The Owl Mag.