Archive for the ‘Live’ Category

Franz Ferdinand, Bowery Ballroom, New York

Monday, June 18th, 2007
Date: June 13th 2007

Date: June 13th 2007

The venue is so small that Alex Kapranos happily informs us that he can speak and be heard without his microphone – by way of demonstration – and he isn’t lying. This is the third and last of the ‘secret shows’ that the band are playing in order to road test some new songs before their appearance at Bannaroo festival. And for those who have been queuing since the early hours, the anticipation is unbearable.

Like in the days of old, the evening kicks off with ‘Jacqueline’ and escalates from there. Favourites such as ‘Dark Of The MatinĂ©e’ and ‘The Fallen’ have the front lines hopping, but distressingly – except for a few stray pockets of people – the crowd lacks in energy usually seen at a Franz Ferdinand show. It may be the work of age restriction, an abundance of industry types or just too many jaded New Yorkers that are often seen plaguing the smaller venues. But being good showmen, the band keep the hits coming, and those who came to enjoy a show get their money’s worth.

Out of the five new selections, ‘Favourite Lie’, with a bass beat that makes hips swivel compulsively and a lyric that may or may not be “sex is a sweaty job”, and ‘Turn It On’, the oft mentioned but never heard song scrapped from sessions for the second album, are the clear favourites. The new tunes are still damn catchy and now they come with even more synths and keyboard work to accentuate the guitars. Think ‘Outsiders’, but screechier. For the encore a bottle of Scotch makes its rounds, there are “beautiful boys [and girls] on a beautiful dancefloor”, and the stage gets invaded, rounding off the night.

Having been absent for over a year from these shores, this show does wonders to renew the spirits and dedication of their fans. And though it is not legendary, it’s more than memorable for its quirkiness.

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Gallery: Franz Ferdinand – June 13th 2007

Previously published on This Is Fake DIY.

We Are Scientists, NorthSix, New York

Saturday, December 23rd, 2006
Date: December 9th 2006

Date: December 9th 2006

This is set to be a great show, with a bill as lauded as it is. The Grates – we’ll refrain from making any ‘great’ jokes – provide childish exuberance and amusement. If anyone can warm up a chilly crowd, it’s Patience Hodgson, and she does a marvellous job. ‘Howl’ and ’19-20-20′ make quite an impression, and it may be the crowd interaction that’s putting a look of awe and fear of being singled out on peoples’ faces. ‘Rock Boys’ wouldn’t be what it is without Patience climbing down in to a tightly formed circle on the floor, twirling her ribbon like a pro – she calls it “making love on the dance floor” and who are we to disagree?!

Oxford Collapse provide more on the comedy front, looking like a laid-back, local garage band. At least we know for a fact that they’re local. The entertainment continues. ‘Please Visit Your National Parks’ is an upbeat track with softer backing, and the whole set is evenly split between dancier tunes and low-key strumming. They look like they’re just having fun and aren’t too fussed about looking polished. Many a jab is aimed at their new pals We Are Scientists (new album to be called ‘Obvious Shit…’ or not) and there’s a stir when the band in question makes a guest appearance or two.

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Placebo, Nokia Theater Times Square, New York

Saturday, November 11th, 2006

Date: November 7th 2006

Date: November 7th 2006

Placebo haven’t graced these shores in over three years now, and new effort ‘Meds’ hasn’t been the talk of blogs nor topped any charts, but despite all the indicators of a tepid turnout tonight, the show’s sold out and the place is packed.

Mostly it’s selections from the new album that populate the setlist as things kick off with the energetic ‘Infra-Red’. ‘Song To Say Goodbye’ is swiftly followed by old-timer ‘Every You, Every Me’ – they not only flow seamlessly in to each other, but are also great crowd-pleasers. Everything’s executed with great skill, but Brian Molko seems to be approaching the show with a clinical detatchment, and it’s not only his closely-shaved head that gives off that impression.

‘Special K’ does much to liven up the show with a singalong – “just like American Idol, except not of the Devil” (or something to that effect). Stefan Olsdal does the honours of conducting and he’s the one to throw the sultry looks, too. The night is full of surprises: the cover of Kate Bush‘s ‘Running Up That Hill’ in encore number one is not quite up to the recorded version, starting out strong but falling apart the further it goes along. Steve Hewitt can’t be seen behind his drum set, but it’s safe to assume that he’s there, somewhere, since the bass drum shudders with impact at all the appropriate moments.

After two encores, many actually expect a third, but are sorely disappointed. Guess the crowd isn’t there to see co-headliners ‘She Wants Revenge’ after all; something has to be said for staying power.

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Gallery: Placebo – November 7th 2006

Previously published on This Is Fake DIY.

The Grates, Bowery Ballroom, New York

Friday, September 15th, 2006

Date: September 12th 2006

Date: September 12th 2006

The Grates seem a simple band and the goal is fun, fun, fun. Patience Hodgson and co. not only have the infectious songs, but an attitude to match. There’s high stepping, high jumping, ribbon twirling, and a few dog howls – they’re as unique as fingerprints don’t you know? – to liven things up as if they weren’t lively enough already.

The floor shudders as a few brave souls follow Patience‘s spirited example and instead of standing stock still, which is the default position during an opening band, jump for all they’re worth during ‘Inside/Outside’. No one even minds being momentarily singled out and called ‘motherfucker’ to their face. Now that’s charm!

‘Feels Like Pain’ has a raw edge to it, and ’19-20-20′ pops with energy that is infectious. ‘Little People’ is a high success, there being plenty of them in the room. And instead of the usual cheerful manner that meets an announcement of ‘last song’, there are groans from the crowd: the locals like what they see and want more. Alas, it is not to be just yet, though evidently a headline tour wouldn’t go amiss.

Maybe gravity won’t get you high, but you’ll be dizzy and giddy by the end, your eyes and feet trying to keep up with the high-kick show.

Previously published on This Is Fake DIY.

AFI, Roseland Ballroom, New York

Thursday, July 6th, 2006

Date: June 22nd & 23rd 2006

Date: June 22nd & 23rd 2006

AFI has taken over the Roseland Ballroom for two nights in a row and Midtown Manhattan has never seen this large an assortment of kids wearing various shades of black and sporting this many studded accessories (some of it attached to their faces) and tattoos. Well, to be fair, not since the last time AFI was in town.

Kicking off the first night with ‘Prelude 12/21′, the opener from their new album, ‘Decemberunderground’, the band whip up a storm that leaves everyone drenched. New offerings, ‘The Killing Lights’ and single-to-be ‘Love Like Winter’, are sung back at vocalist, Davey Havok, as loudly as old favourites: ‘A Single Second’ and ‘Days of the Phoenix’. And the stage show is frenetic, not only are the lights dancing madly, but the whole band is frantically rushing around the stage, Jade Puget and Hunter Burgan leaping and propelling themselves across the stage and back. It’s a wonder no one loses an eye from the wildly swung guitar necks. Though Adam Carson cannot move from behind his drum kit, he’s a mass of flailing limbs regardless. ‘This Time Imperfect’ brings some calm to the set, the crowd’s voice rising to overpower the soft vocals. All the hits like ‘Silver and Cold’ and ‘Miss Murder’ get a chance to shine, too, and they certainly prove themselves worthy, but it is the sum of the rarer and newer material that really makes the show exciting. As a tradition, ‘God Called in Sick Today’ is held off for last, Havok rising triumphantly in the midst of the pit, eager hands holding him up.

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